The playable university


We have a problem with conventional academic modes of posing problems. Without wishing to rehearse the critical posture – and while acknowledging that our own response takes the form of a scholarly article that sits more or less comfortably inside the field of critical university studies – we note that there is an expanding international body of research devoted to critique of the neoliberal university (NLU). Professional academic critics (Beverungen et al., 2008; Bok, 2009; Brenneis, et al., 2005; Butler and Spoelstra, 2014; Giroux, 2002; Larner and Le Heron, 2005; Rhoades and Slaughter, 2004; Svensson, et al., 2010; Vernon, 2010) describe its drivers as the privatisation of education; the commercialisation of research to compensate for government disinvestment; and the prioritisation of applied ‘outputs’ relevant to end-users and measureable by funders. These drivers are said to foster corporatised governance and management; the ascendency of administrators and systems to index quality (‘excellence’) and productivity (‘efficiency’); the aggressive casualisation of academic work, which creates an underclass of adjunct academics; and the transfer of capital expenditure and operational costs to students, disadvantaging students of lesser means and promoting the pursuit of market-ready degrees.

Such criticisms are not wrong-headed or misguided. We feel keenly the crisis of the university – and crisis and critique, intriguingly, are akin etymologically (‘crisis’, denoting the turning point in a disease, comes from the Greek krisis, or ‘decision’; ‘critique’ comes from the Greek kritikē tekhnē, or ‘critical art’). The art of critique, we might say, is to precipitate crisis. And we note that the critic-and-conscience role of the university, enshrined in New Zealand in the Education Act (Ministry of Education, 1989), makes critical reflexivity a statutory obligation of the university. Further, the Universitas 21 ‘Statement on sustainability’ (2009) takes the university to be a microcosm, test-case and demonstration of social values. It thus behoves those who work in the university to examine its priorities and practices. In fact, critique of the NLU reminds us that academics are not powerless in the face of the ‘re-valuation’ of the university that its corporatisation demands.

In part, our concern is that critique should be taken as an object of reflection and matter of social concern. Yet if, as Bruno Latour argues, academics are enjoined to ‘bring the sword of criticism to criticism itself’ (2004: 227), we also wonder whether and how it is possible to avoid being immobilised by this operation. Is anything beyond critique? Objections to the NLU, for example, are primarily articulated through protest and publication. Student and academic protest actions, as recent experiences at our university indicate, may be vital and vitalising, but tend to draw directly on highly theoretical – and, thus, élite – modes of scholarly critique. And the publications that result count as outputs for their authors and towards the ranking of their universities. Though there is something playful about these strategies, the NLU can understand itself only as a serious business. While students may treat the classroom as a game ‘where the rules and pieces are all open to adjustment’ and the campus as a ‘playground’ to be explored (University for Strategic Optimism, 2012: 8, 20), those on the university payroll are not allowed to play.

The self-seriousness of the NLU is always at risk of being exposed. Vice-Chancellors play at being CEOs, taking their cue from counterparts at other ‘excellent’ universities globally, when they are really custodians of public educational institutions. Research and international ranking regimes make a game of publication, which universities ‘game’ through culling non-research-productive academic staff before audits and separating teaching and research. Criticising the NLU through publication would seem to enable academics both to ‘play the game’ (Butler and Spoelstra, 2014) and draw attention to the ‘gameness’ of that game. Indeed, there is a dark playfulness evident in recent publications in critical university studies. The editors of Zombies in the academy, for instance, explain that

The contributors [to this volume] break out of their fortified offices and bunkered lecture halls, and claw their way free of burial mounds of student marking, grant applications and committee minutes, equipped not with shotguns and fire axes, but with a radical metaphor and a critical eye. Alternately, they come shuffling and decrepit towards you out of the shadows, with lifeless expressions, blank hunger and the stench of death surrounding them. (Whelan, et al., 2013: 3)

But motifs of living death, disease, decay and apocalypse seem a peculiarly aestheticised response to the crisis of the NLU.

We perceive at least four problems with the tendency to criticise the NLU by means of conventional scholarship:

1. Universities are comprised of heterogeneous populations of workers and students unlikely to be engaged by the elitist theoretical discourse of many academic critics of the contemporary university. Thus, such criticism risks self-enclosure: speaking to an elite for people considered to be without a voice.

2. Universities’ role as critic and conscience excludes professional staff, other workers and students (and conflicts with the stipulation in university contracts that employees can’t bring the university ‘into disrepute’).

3. Academic critique has not to date been able to re-imagine the university, tending to deconstruct rather than reconstruct – and to preach to the converted: likeminded academics, Arts students, active union members and so on.

4. Academic critique is typically consensualist: as Stefano Harney and Fred Moten argue, ‘to be a critical academic in the university is to be against the university, and to be against the university is always to recognize it and be recognized by it’ (2013: 31). It does not question what makes its critique possible – and what distinguishes it from the feedback continually sought from academics by administrators.[1]

In describing social fields, Pierre Bourdieu invokes players being drawn into a game:

Players are taken in by the game, they oppose one another, sometimes with ferocity, only to the extent that they concur in their beliefs (doxa) in the game and its stakes; they grant these a recognition that escapes questioning. Players agree, by the mere fact of playing, and not by way of a ‘contract’ that the game is worth playing […] and this collusion is the very basis of their competition. (Bourdieu and Wacquant, 1992: 99)

Academics, students and other workers in the university are expected to play the ‘university game’ – which includes the playful work of protest and published critique. If there is already engagement with play-as-critique in the NLU, here we aim to explore play-as-agency. Play-as-agency relies on making room for a certain play, or ‘give’, in academic and administrative processes in the NLU, in order to reveal what the university might otherwise be.[2] This play allows for both the collective re-imagination and reconstruction of the rules of the university and ‘playful’ participation in university gatherings (meetings; courses and classes; orientation and training sessions, and so on). In particular, we ask about the value of games in the university, what games can tell us about the values of the university, and how the rules of the university game might be changed by playing it differently.

The university game

To this end, we developed a series of game workshops at the University of Auckland in July 2014. The workshops were conceived as part of a larger research project called ‘The liveable university’,[3] which considered the university’s potential to be socially responsible, pro-creative and sustainable, and thus liveable. The project drew on Ron Barnett’s (2011) idea of the university as an ‘ecology’, an intelligent system that works – or ought to work – for the flourishing of people and nourishing of place. Over a year, it undertook a range of activities: five workshops, a symposium on learning spaces (including a workshop on place-based pedagogy, a roundtable discussion on learning spaces and a campus hikoi, or walk) and an interactive exhibition (including various artefacts and performances, and the launch of a new journal, Argos Aotearoa [2014]). The workshops were designed both to explore and embody the idea of a liveable university.

Liveability takes in a number of dimensions: ecology (sustainable building and living), health (economic and emotional well-being), belonging (commitment to the institution and one’s colleagues), and purpose (personal and social transformation). But it is an ambiguous idea. A large number of liveability surveys are conducted each year to produce league-tables that rank cities in terms of their living conditions – and used for marketing the cities and calculating relocation costs for new employees.[4] And such indices are now being applied to the university (Gallup, 2014). Thus, while liveability promises transformative living, belonging and well-being, it has come to be taken as quantifiably measureable and marketable (‘econometric’ [Sturm and Turner, 2011]) – and its units of measure to serve as expressions of the value of the entity itself. The workshops gave voice to those most affected by economically driven – but emotionally taxing – changes affecting the liveability of the university: students facing large fee increases, administrators beset by wholesale restructuring, casual academics undergoing workload abuse, and workers demanding a living wage (though many responded that they were simply too hard-pressed to attend). For this reason, liveability strikes us as an apt means to address the norms and drivers that make up the lived experience of a NLU driven by econometrics. Indeed, part of the ‘play’ of our game is that it offers participants opportunities to re-imagine and reconstruct existing indices of value in the NLU in order to materialise a university of different – or greater – value. With these circumstances in view, one focus of the workshops was to collectively generate and evaluate an expanded range of ideas of liveability.

The workshops involved

1. a one-hour time-slot;

2. a number of players;

3. a physical space in which the players could gather;

4. materials including jellybeans, small plastic cups, marker pens, small squares of paper (‘cards’) in five different colours, a box for collecting the cards, and a table around which the players sat and on which to lay out the cards; and

5. a set of instructions that led players through four rounds.

The workshops hosted between 11-25 players; each game was conducted by an instructor, an observer and an usher. While the position and rank of the players remained unknown and their responses cannot be traced to individuals or groups, the broad proportions of categories of players can be estimated from their email signatures, which were visible to us when players registered (although some players represent more than one category). We estimate that the overall percentage of academics and postgraduate students was 51.6%, ranging in each game between 45.5% and 63.6%.[5] The overall percentage of professional and administrative staff was 38.7%, ranging between 27.3% and 48%. The overall percentage of managers was 9.7% and of undergraduate students, 8.1%. All academic faculties and several key university-wide support services (HR, student and academic services, communications and IT divisions and so on) were represented.

On arrival, the players were invited by the instructor to take a seat around the table. Players were required to organise themselves in groups of 3-5 people, depending on the total number of players. In the first three rounds of the game, the groups were asked by the instructor to discuss the following questions:

In each round, each group was allocated a set number of coloured cards on which to record their responses, one colour per round. The number of cards allocated per group per round in each game was determined by the usher according to the total number of players in the game and thus the size of each group. In each case, the ratio of cards to players was unequal (i.e. each group received fewer cards than it had members), necessitating deliberation amongst group members. Groups were restricted to offering one value, affect or strategy per card.

Midway through each round, the cards were collected by the usher. Once all cards had been submitted, the response recorded on each card was read out by the usher and the cards were placed in columns on the game table, in random order, with any identical terms stacked together. If a group felt that there was a key response missing, they could supplement the responses with another (yellow) card. Each group was then allocated ten multi-coloured (but not white) jellybeans. The groups were asked to weight the responses by placing jellybeans on the card/s that they felt offered their preferred response/s to the question. Then, based on how many beans had been played on each card, the cards were ranked from highest to lowest (from the top to the bottom of the table). By the end of the third round, the table pictured the hierarchy of responses. After each round, players were invited to form new groups.

In the fourth and final round, the players were asked for their individual response to the following question:

If a player felt that there was a key response missing, they could supplement the responses with another (white) card. Each player was allocated five white jellybeans, each worth five coloured jellybeans, which they could use to trump previous responses. Finally, the cards were re-ranked from highest to lowest. (The choice of jellybeans both was and was not incidental. Jellybeans are humble, banal and edible, and their ability to colour-code responses to earlier and later phases of the game was especially useful. Their use blurred the lines between work and play, and distinguished the workshop from the normal round of classes and meetings – and also caused a number of participants to reflect on the activities of ‘bean-counters’ in the university.)

The format of the game was governed by four basic principles:

1. Inclusiveness and heterogeneity. An open invitation to participate in the game was distributed through university email and web networks; participants were asked to confirm by email. The games were scheduled at various times and kept to one hour to accommodate as many students, professional staff and academic staff as possible, resulting in a mix of participants from right across the university.

2. Democracy and anonymity. Because participants in the game were sought who might ordinarily, given their positions in the university, find it difficult to give voice to their thoughts and feelings about it, the players were asked to introduce themselves to one another on a first-name basis only and to avoid referring to their surname, position or rank. A box was used to collect their responses to preserve their anonymity.

3. Deliberation and collaboration. The game was designed to produce collaborative deliberation. It enabled players to think and talk about the university without feeling that any specialised language was necessary or that non-academic views were inferior to academic ones. And it allowed for a different mix of participants in each group in each round. More fundamentally, it relied on the collaboration of the players and their agreement to follow the game’s rules (or not): there was no way to win the game and nothing to gain by ‘winning’ it.[6]

4.Responsibility and responsiveness. Because the final, individual round of the game was preceded by three rounds of collaborative deliberation, the higher value jellybeans were played in ways that responded to the game itself and to players’ re-imagination and reconstruction of their indices of value in the university.

Through these basic principles, the workshops were intended to develop the ‘play principle’. Our premise was that the NLU works to block the deliberative and collaborative exercise of value – the human capacity to be able to value – by its students and workers. In order to recognise and exercise this capacity, the workshops were based on the idea of play as the decisive link between rules and their application (Virno, 2011). Play is more than the playing of a game or the deliberate exercise of the rules of a game. For us, it is the give, or pliancy, of a practice or structure. (Why, we ask, is good policy always construed as ‘robust’ rather than pliant, and why, in organisational terms, is ‘compliance’ consistently valued over ‘risk’?). It is precisely this lack of play that defines the operation of the NLU, in which it is taken for granted that those who work there do not know what is best for it, and must be corralled by systems of measure that limit their agency. In such a context, being solicited to give feedback – as staff were in a recent faculty administrative review at our university – is to be engaged in the manufacture of consensus through ‘consultation’. As with the unsolicited feedback of academic protest and publication, staff are required to play by the rules of the university game, rather than re-imagine and reconstruct its rules. In such circumstances, however the rules are figured (as excellence, innovation, sustainability, and so on), they can only be taken as given, rather than responsive to those who make them work. For this reason, staff resort to ‘clandestine’ strategies (Docherty, 2011) to make unliveable environments more tolerable, strategies that our game sought to foreground. The workshops, then, were designed to work athwart dominant modes of feedback that treat feedback as a closed loop. They aimed to determine the rules that are at work in the university, but cannot be asked after through its normal processes, to explore the dimensions of liveability that neoliberal econometrics miss by ignoring the human capacity to value. Our intention was that the ‘play’ of the game would accommodate both the value of workers and students, and the value that they place in their work and learning, and in the university. This would produce a different version of the university – a university, within the terms of our game, responsive to the give-and-take of its occupants, a ‘playable’ university – a university with give.[7]

Results of the game

The first three rounds each focused on a different aspect of university life, as experienced by the players: round one on ‘values’, round two on ‘affects’, and round three on ‘strategies’. The final round, round four, took in all three aspects and focussed on what would make the university more ‘liveable’. It allowed players to supplement and trump their prior responses. To analyse the data, we identified the dominant themes of each aspect, working with the cards in play in round four of each workshop, and tested them against the data. We present these results in Tables 1-3, which show the themes for each aspect, a description of each theme, and the percentage of votes allocated to cards for each theme initially and with the final round added in. (Note that, for the initial round, players could cast votes only within an aspect; for the final round, on any card. Because the counts for the final round include those from earlier rounds, we created percentages that represent only the responses for each theme in Round 4.)

Table 1. Themes constructed for values and votes for each.


Table 2. Themes constructed for affects and votes for each.


Table 3. Themes constructed for ‘strategies’ and votes for each.


The top two values were Learning and creativity and The collective. Values shifted little between the initial and final round. One exception was Reputation and status, which received some support in the initial round as a current value of the university, but very little support in the final round as a value worth preserving – this despite our university branding itself as ‘New Zealand’s world-ranked university’. There was also a slight shift towards the value of The collective. Affects shifted significantly. First, Stress was the leading affect in participants’ current experience of the university, with 40% of the votes, but fell to 22% in the final round, when its contribution to the liveability of the university was considered. Second, Excitement and stimulation rose from 28% to 49%. This suggests that participants want to be positively aroused by their work. Third, Belonging also gained support. Strategy was dominated by Engaging with others, which was seen as both currently favoured and desirable for liveability. Personal development, Self-care and Withdrawal all lost support in the final round, and Challenging managerialism went from last to second most favoured strategy by the end of the game. Interestingly, play was offered in only one of the four workshops, as a value; critique, likewise, as a strategy. Nonetheless, a number of playful strategies operated as a critique of the rules of the university game: ‘Soft guerrilla warfare’, ‘Use of open space for idle behaviour’, ‘Little acts of subversion’, ‘Make jokes’, and ‘Strategise’. When we look at all three aspects of university life, we see that the game produced an increase in support for collaborative and political values, affects and strategies (The collective, Belonging, and Challenging managerialism), and a decrease in support for values, affects and strategies based on self-preservation, whether individual (Stress, Self-care) or institutional (Reputation and status). This begs the question: does giving people the chance to play without consequence also free them to transform from stressed alienated individuals who work in line with the values of the NLU into excited political agents prepared to work together to make the institution truly liveable?

The game evades the standard discursive formulations of professional critics of the NLU through its format and mix of participants. As against conventional modes of demonstration like protest and published criticism, the game is a ‘remonstration’: a way to field a complaint, to ‘have a problem’ with the rules at play in a situation, that enables us to re-imagine and reconstruct that situation with a different set of rules. With liveability, for example, it works by highlighting the social deficits of the NLU’s concept of liveability with a view to demonstrating how we might live otherwise. Its ‘possibilising’, or world-making, impulse produced in players a desire to produce a ‘good’ version of the university and to feel like good citizens for producing such a result. The values it produced were social in nature: collegiality, generosity and social interaction – in contrast with the values espoused by the university: world-ranked excellence, competitiveness and wealth. In part, this may well have been due to its rules fostering the movement of players between groups. But there is no doubt that players relished the opportunity to suspend the rules of the university game in order to imagine and construct a playable university.

While the game was designed in part as an analytical tool, through the play principle it exceeded any straightforwardly instrumental purpose – including serving as a demonstration against the instrumentalism of the NLU. The materials used and produced in the game – cards of various colours marked with values, affects and strategies; a record of the number and types of bean played on each card; notes taken by the observer on the basis of whole-group discussions at the end of each round of play – document what the game produced. However, the picture that these materials give us is necessarily incomplete. The deliberative conversations of the groups about which responses to field or how many beans to play on which responses in each round remain private, in keeping with what Johan Huizinga calls ‘the feeling of being “apart together” [in games], of sharing something important, of mutually withdrawing from the rest of the world and rejecting the usual norms’ (1949: 12). What was most important in these deliberations was the collective airing of values – irrespective of the position or rank of the players, or their reasons for valuing what they did. That collective action is very different from the NLU’s re-valuation of the university, in which the drive for ‘transparency and information’ (Docherty, 2011) serves corporate values like ‘excellence’, ‘innovation’ and ‘productivity’.

The playable university

The game could be adapted in any number of ways. It could be played by more singular communities – of academics, or students, or managers, or professional staff, or by those affiliated with a particular faculty or campus or programme or organisational function. Games played by particular constituencies could well produce more striking or nuanced responses than games played by a mixed constituency. For example, would a game played by senior managers produce a liveable university that mirrored the existing one? What would a game played by undergraduate students produce (very few students, let alone undergraduates, participated in our games)? It could be argued that undergraduates – new to the university and its rules – would play in ways that most productively disturb the values of the NLU. As Harney and Moten put it, ‘there’s a kind of fear in the university [of] amateurism – immaturity, pre-maturity, not graduating, not being ready somehow – and the student represents that’ (2013: 116). Students at higher levels who criticise the NLU have already subscribed to sophisticated critical modes that make them proto-academics. However, what students new to the university value in the university or what they think its social role might be are questions that can transform the playable university – and the university’s mission. What would a game played at a different kind of tertiary institution or in a non-educational setting produce? For example, would not a game at a wānanga, or Māori institute of learning, likely produce a different differential between, say, the existing (collective) values of the wānanga and the regulations of the national regulatory body, the Tertiary Education Commission? Would not a game for participants in a non-educational setting reveal a differential between what those inside and outside tertiary education take the social value of the university to be?

It behoves us to conclude with a final set of principles that characterise the playable university:

1. The playable university makes the university a matter of experiment.

2. The playable university is created in the interaction of players. During the game, the players move from an individual focus to a collective one, perhaps through their private deliberative conversations that create a sense of community.

3. The playable university enables players to reflect on the norms that determine the operation of the university. The game, by returning to workers and students an agency that is usurped by neoliberal managerialism, enables the re-imagination and reconstruction of the values that such norms invariably distort like leadership, responsibility, community, innovation and creativity. Thus, the experimental play of the playable university is an act of remonstration.

4. The playable university is necessarily ephemeral. The game ‘matters’ for as long as it is being played. The interaction of the players creates an ‘interval’ of intrinsic value, no matter what its consequences, whether in the data of the game or in the actions taken as a result of the game by players or the university. Indeed, the playable university may have no consequences at all – and certainly not in the form of manageable/measurable outputs.

5. The playable university addresses the social role and purpose of the university. The game does so because the interaction inherent in the game is social in nature and generated through collaborative deliberation. In the game, the norms of the university are suspended, with a view to their being transformed by the players – depending on what they think university should do or what it is for.

6. The playable university constructs or re-constructs the university. The play principle implies that all university activity conceals possible worlds that can be actualised by its participants through collaborative deliberation on norms, thereby returning to workers and students an agency and a capacity to value that have been usurped by managerialism and its econometrics. Seen in this way, the university could even be detached from campuses altogether and considered to be any site where such deliberation on norms takes place – were it not for the system of credentialising through which universities appropriate such activity for themselves.

7. The playable university produces a new subject of the university. The subject of the university is neither individual, rational nor self-interested; it is the aggregate subject of the social interaction of the game’s players and groups. It emerges at the edge of the existing parameters of knowledge that define the university, as a cross-section of subjectivities and values expressed by the players.

To repeat: what is most important in the deliberations of the game is the collective airing of values, which demonstrates not only that another university is possible, but also that it is a university in the creation of which anyone can take part. And it must be said: the universities constructed in the games we played were indeed better – more collegial, generous and socially interactive – than the one most of us currently ‘enjoy’. This suggests that the university poses a ‘collective action problem’ of regulation and governance that is soluble if its participants are prepared to work together to make it truly liveable (Ostrom, 1990).[8] Working together to create a liveable university thus requires that we take seriously the stipulation of the Education Act of 1989, the founding document of universities in Aotearoa/New Zealand, that a university consists of ‘its governing body, the chief executive, the teaching staff, general staff, the graduates and students, and such other people as the governing body may from time to time determine’ (Ministry of Education, 1989: 279, section 163.1) – although the governing body must be fully representative. The Playable University makes this possible.


[1]     This same problem of feedback applies to protest actions. Easton and Walters (2015), for example, quote Prime Minister John Key explaining that his press conference scheduled to take place at the University of Auckland on 5 March 2015 was cancelled because of the noise of protesters: ‘I didn't really care about it: if you wanted some yahoos coming in and making a whole lot of noise, we could do it, but I don’t think it would be conducive to a good press conference’.

[2]     Here we draw on but extend the work of seminal play theorists Johan Huizinga and Roger Caillois, and also Hans-Georg Gadamer and Jane McGonigal. Huizinga’s Homo ludens (1938) establishes the importance of the concept of play in human society and culture; Caillois’s Man, play and games (1961) distinguishes styles and types of games and play. More importantly for our argument, Gadamer, in Truth and method (1960), argues that it is neither the player nor the game being played, but rather the movement, to and fro, that exists between them that defines games. This movement is characteristic of our concept of play as ‘give’. McGonigal’s Reality is broken (2011) updates the theory of games for immersive (virtual) gameplay.

[3]     The ‘Liveable University’ project received seed funding from the Transforming Cities: Innovations for Sustainable Futures Thematic Research Initiative, hosted by the National Institute for Creative Arts and Industries (NICAI) at the University of Auckland, to support an application to the World Universities Network (WUN) to undertake research in the area of ‘equity and access in higher education and research’. Transforming Cities (2010-2015) aimed ‘to promote interdisciplinary, transformative research about cities and the way they function’ (Transforming Cities, 2016).

[4]     For recent results see, for example, Monocle’s ‘Quality of life survey’ (2014); the Economic Intelligence Unit’s ‘Global liveability ranking and report August 2014’ (2014); Mercer’s ‘Quality of living worldwide city rankings’ (2014); and the OECD’s ‘Better life index’ (2014). Auckland is ranked as the third most liveable city in the world in the 2014 Mercer survey.

[5]     In producing these totals, we have split the student contingent, grouping postgraduate students with academics because postgraduate students are ‘proto-academics’.

[6]    See Carse’s distinction between finite and infinite games: ‘A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play’ (2012: 3).

[7]     As described by Julian Baggini, the Playable City Movement, launched in Bristol in 2014, aims to interrupt the utilitarian efficiency of the urban environment (2014).

[8]     In Governing the commons (1990: 90), Ostrom outlines the eight ‘design principles’ of long-enduring communal (CPR, or ‘common-pool resource’) institutions: ‘clearly defined boundaries’; ‘congruence between appropriation and provision rules and local conditions’; ‘collective-choice arrangements’; ‘monitoring’; ‘graduate sanctions’; ‘conflict-resolution mechanisms’; ‘minimal recognition of rights to organise’; and ‘nested enterprises’. The playable university attends, in particular, to ‘collective-choice arrangements’, that is, collective regulation and governance.

the author(s)  

All the authors work at the University of Auckland, except Dominic, who is a graduate of the University. They are members of the Liveable University collective. Anna, Sean and Stephen were founding editors of Argos Aotearoa (


Anna Boswell (English, Drama and Writing Studies) teaches writing studies, and researches settler-colonial institutions, ecology and pedagogy in Aotearoa/New Zealand.

Email: a.boswell AT


Dominic da Souza Correa (English, Drama and Writing Studies) majored in English and Writing Studies and graduated from the University of Auckland in 2015.

Email: dominic.dasouza AT


Niki Harré (Psychology) teaches community and social psychology, and researches values, political activism and sustainability.

Email: n.harre AT


Kirsten Locke (Critical Studies in Education) teaches and researches the philosophy and sociology of education through a poststructuralist and feminist lens.

Email: k.locke AT


Sean Sturm (Centre for Learning and Research in Higher Education) teaches and writes about higher education, writing and the digital humanities, often with Stephen.

Email: s.sturm AT


Stephen Turner (English, Drama and Writing Studies) teaches writing studies, and researches higher education, writing and the digital humanities, often with Sean, and settler-colonialism in Aotearoa/New Zealand.

Email: sf.turner AT